What must the early disciples have been holding in their hearts and minds in those days after Jesus’ ascended? His final words to them were drenched with weighty anticipation: “I am going to send you what my Father has promised; but stay in the city until you have been clothed with power from on high” (Luke 24:49). They knew it would be some gift of His Spirit coming on them with power for witness (Acts 1:8), but when or how it would happen or what exactly would happen were undefined. And so, they waited in worship and prayer until the festival of Pentecost arrived. The celebration of Pentecost in the Jewish calendar focused on thanking God for the firstfruits of the harvest, and later for the giving of the Law through Moses on Mount Sinai. But now there was something new happening, as the fires of Sinai touched earth, and the ingathering of God’s kingdom came. “When the day of Pentecost came, they were all together in one place. Suddenly a sound like the blowing of a violent wind came from heaven and filled the whole house where they were sitting. They saw what seemed to be tongues of fire that separated and came to rest on each of them. All of them were filled with the Holy Spirit and began to speak in other tongues as the Spirit enabled them” (Acts 2:1-4). The early gathering of ordinary people was transformed by God’s indwelling presence. Contemporary artist Makoto Fujimura developed a series of liturgical paintings for a local congregation in Princeton, NJ, through paired diptychs: Advent/Pentecost, Epiphany/Easter, Lent/Good Friday and two Ordinary Time paintings. Fujimura’s unique Nihonga-influenced style brings together rich colors and radiant gold within this painting. Amidst ordinary worship, this congregation, and all who view it, are reminded of the Apostle Paul’s words: “Do you not know that your bodies are temples of the Holy Spirit, who is in you, whom you have received from God?” (1 Corinthians 6:19).