“The Weekend Wanderer” is a weekly selection of news, stories, resources, and media on the intersection of faith and culture for you to explore through your weekend. Wander through these links however you like and in any order you like.
“Glorious Humility” – About three weeks ago, I read Wesley Hill’s beautiful reflection on the humble glory of Jesus the Messiah. Weaving in some thoughts on Jane Williams’ The Merciful Humility of God, he writes at one point: “We look to Jesus—above all, to his self-giving in life and death—and find our notions of ‘glory’ and ‘power’ transformed completely.” Hill’s essay is worth reading, particularly as we celebrate the Paschal Triduum.
Notre Dame Cathedral Fire – The historic Notre Dame Cathedral caught fire this week and billions of Euros have already been pledged to rebuild it. There have been photo tributes to the beauty of Notre Dame, as well as photo summaries of the damage wreaked upon it by the fire. Some journalists have addressed why it is so significant to Roman Catholics worldwide, and to France as a country. Matthew Milliner offers a marvelous reflection on this in light of Good Friday in his essay, “At Notre Dame, Good Friday Came Early.”
“Crucifixion is horribly violent – we must confront its reality head on” – “One reason people before modern times wanted their crucifixions gory and their churches full of images of death was that mortality and its horrors haunted their real lives. Death was everywhere, from the sick beds of people struck down by all the diseases medicine had yet to conquer to public executions whose victims were left to rot on gibbets or, as Bruegel paints them, on open platforms at the tops of wooden poles. In other words, when artists 500 years ago depicted the crucifixion they were not showing a totally unfamiliar sight. People were still executed and left to rot in public, just as they had been in ancient Roman times. Death was ever present.”
“Hardship-Birthed Hymns: What Can We Learn From the Negro Spiritual?” – At The Witness, DeAron Washington reflects on how hymnody shapes us and the power of the Negro Spirituals: “We must pay attention to the songs we sing. If we are not careful, we will sing lies that exalt ourselves. We will sing about an idol and disguise it as Jesus. If we are not careful, we will sing songs that call people to trust in themselves. The spirituals are oozing with pungent biblical truths. They are not perfect, but we can learn much from their content. Beloved, read and sing them. Drink from the well of spirituals that is overflowing with sapid theology.”
“Let He Who Is Without Yeezys Cast the First Stone” – And now for something completely different, mainly the firestorm of interest in the preachers’ sneakers, and how much they paid for them. “Carl Lentz, the pastor who baptized Justin Bieber in a professional basketball player’s bath tub, appeared wearing a pair of Nike Air Fear of God sneakers that were selling online for about $500. Then John Gray, a pastor from South Carolina, was shown in blood-red Air Yeezy 2s, the sneakers made in collaboration with Kanye West, that were going for upward of $5,000. And in another photo, Chad Veach, who preaches in Los Angeles, had a $1,900 Gucci bag and wore $795 pants….the photos have led to soul-searching over what some see as an undercurrent of materialism that has been getting uncomfortable attention. The exchange has grown beyond simply criticizing the pastors, as many young Christians were nudged to wrestle over how they present themselves to the world and how it squares with the faith’s teachings.”
“How Disconnection Boosts Your Creativity” – From Austin Kleon: “Creativity is about connection—you must be connected to others in order to be inspired and share your own work—but it is also about disconnection. You must retreat from the world long enough to think, practice your art, and bring forth something worth sharing with others. You must play a little hide-and-seek in order to produce something worth being found.”
“The birth of the book: on Christians, Romans and the codex” – “A codex is just the Roman name for a book, made of pages, and usually bound on the left. Its predecessor was the scroll or book roll, which was unrolled as you read. The codex is manifestly superior: one can hold many volumes (from the Latin for book roll, volumen); codices have a built-in cover for protection; and pages that can be numbered for reference, from which arose a cornucopia of tables of contents and indices. The codex didn’t catch on until surprisingly late in the ancient world. The early Christians, however, took to the codex with singular enthusiasm.”
Music: Johann Sebastian Bach, “O Sacred Head Sore Wounded,” King’s College Cambridge (2011).
[I do not necessarily agree with all the views expressed within the articles linked from this page, but I have read them myself in order to make me think more deeply.]