“The Weekend Wanderer” is a weekly curated selection of news, stories, resources, and media on the intersection of faith and culture for you to explore through your weekend. Wander through these links however you like and in any order you like. Disclaimer: I do not necessarily agree with all the views expressed within the articles linked from this page, but I have read them myself in order to make me think more deeply.even sharing it with someone who you know struggles in this way.
“Leland Ryken: Teaching Literature and the Bible as Literature” – As an undergraduate studying English literature at Wheaton College (IL), I had the privilege to study under Leland Ryken, an authority on John Milton, but also a man of God passionate about reading and teaching the Bible well. His 1984 book How to Read the Bible as Literature had a monumental impact upon me and continues to have great influence on many others today. I was privileged to serve with a couple others as a research assistant with Ryken and Jim Wilhoit on The Dictionary of Biblical Imagery. Here is Chase Replogle’s Pastor-Writer podcast interview with Ryken as he prepares to release a new book, Recovering the Lost Art of Reading: A Quest for the True, the Good, and the Beautiful.
“A Conversation with Li-Young Lee” – With my undergraduate studies in literature, I find tremendous joy in both reading and writing poetry. Here is a fascinating interview of Li-Young Lee, one of our most powerful contemporary poets, by Paul T. Corrigan in Image Journal: “Li-Young Lee’s books of poetry include Rose (1986), winner of the Delmore Schwartz Memorial Poetry Award; The City in Which I Love You (1990), which was a Lamont Poetry Selection; Book of My Nights (2001), which won the William Carlos Williams Award; From Blossoms: Selected Poems (2007), and Behind My Eyes (2008). His other work includes Breaking the Alabaster Jar, a collection of twelve interviews edited by Earl G. Ingersoll, and The Winged Seed (1995), a memoir which received an American Book Award from the Before Columbus Foundation. Lee was born to Chinese parents in Jakarta, Indonesia, in 1957. In 1959, the family fled the country to escape anti-Chinese persecution and lived in Hong Kong, Macau, and Japan before settling in the United States in 1964. Lee attended the Universities of Pittsburgh and Arizona and the State University of New York at Brockport. He has taught at several universities, including Northwestern and the University of Iowa. His awards include fellowships from the Academy of American Poets and Guggenheim Foundation, a Lannan Literary Award, a Whiting Writer’s Award, the PEN Oakland/Josephine Miles Award, the I.B. Lavan Award, three Pushcart Prizes, and grants from the Illinois Arts Council, Commonwealth of Pennsylvania, Pennsylvania Council on the Arts, and National Endowment for the Arts. He lives in Chicago. He was interviewed by Paul T. Corrigan.”
“Peacemaking Is Political: An Interview with Stanley Hauerwas by Charles E. Moore” – Stanley Hauerwas is undoubtedly the most renowned, and at-times controversial, Christian ethicist of our day. His book, A Community of Character: Toward a Constructive Social Ethic, is a seminal work on Christian ethics in the contemporary era. In Plough Quarterly, Charles E. Moore interviews Hauerwas in what becomes an exploration of Jesus-centered ethics, peace-making and non-violence, narrative frames, how peace is political, and so much more. While we may not agree with everything Hauerwas speaks about, he will certainly provoke each of us toward deep thinking about Jesus and what it means to be the church and a disciple of Jesus in an age of violence, tension, and distrust.
“Black Spirituals as Poetry and Resistance” – From Kaitlyn Greenidge in The New York Times: “This imaginative leap is most on display in spirituals. These are the songs, born from rhythms of stolen labor, that enslaved Black people invented on the plantations. They are an early instance of the kind of doublespeak and double consciousness made famous by W. E. B. DuBois. They served, on the one hand, as a testament to the Christian experience but also, on the other, as a way to articulate a resistance to slavery. Spirituals, like many other musical genres across the African diaspora, draw on traditions from West Africa. But spirituals are unique to the experience of the enslaved in the United States — the same artistry and craft that birthed them here produced recognizable, but decidedly different, music across the Caribbean and South America.”
“Reading Old Books: C. S. Lewis’ Introduction to Athanasius’ On the Incarnation“ – In his introduction to St. Athanasius’ On The Incarnation, C.S. Lewis shares his extended reflections on the importance of reading widely, but always reading deeply, in terms of reaching deeper into previous eras to converse with ancient voices, whose different contexts and different issues can help provide perspective on our own context and issues. If you’ve never read Lewis’ fine words in that introduction let me encourage you to read it here. While you’re at it, you may enjoy reading the work Lewis is introducing itself. Athanasius is one of the most important theologians in the history of Christianity.
“Malaysia High Court rules Christians can use ‘Allah'” – From the BBC: “Malaysia’s high court has overturned a policy banning Christians from using the word “Allah” to refer to God, the latest in a decades-long legal battle. It comes as part of a case brought by a Christian whose religious materials were seized as they contained the word. The issue of non-Muslims using “Allah” has in the past sparked tension and violence in Malaysia. Muslims make up almost two-thirds of the population, but there are also large Christian communities. These Christian communities argue that they have used the word “Allah”, which entered Malay from Arabic, to refer to their God for centuries and that the ruling violates their rights. Malaysia’s constitution guarantees freedom of religion. But religious tensions have risen in recent years.”
Music: John Tavener, “The Lament of the Mother of God” (1988), performed by Solveig Kringelborn, the London Symphony Orchestra, and the Winchester Cathedral Choir under the direction of conductor David Hill.