Theodulf of Orleans, “All Glory, Laud, and Honor” [Poetry for Ordinary Time]

I’ve enjoyed posting poetry series themed around the Christian year in the past couple of years (see “Poetry for Lent” and “Poetry for Easter“). I will continue that with a series called “Poetry for Ordinary Time.” Ordinary time includes two sections of the church year between Christmastide and Lent and Easter and Advent. The word “ordinary” here derives from the word ordinal by which the weeks are counted. Still, ordinary time does serve an opportunity to embrace the ordinary spaces and places of our lives, and the themes of the poems will express this.

Here is “All Glory, Laud, and Honor” by St. Theodolf, Bishop of Orleans. While perhaps not exactly a poem, but more appropriately a hymn, this 9th century work was translated into English by John Mason Neale as part of his effort in the late 19th century to recover early Christian hymns for the church at that time.


All glory, laud, and honor 
to you, Redeemer, King, 
to whom the lips of children 
made sweet hosannas ring. 
You are the King of Israel 
and David’s royal Son, 
now in the Lord’s name coming, 
the King and Blessed One. 

The company of angels 
is praising you on high; 
and we with all creation 
in chorus make reply. 
The people of the Hebrews 
with palms before you went; 
our praise and prayer and anthems 
before you we present. 

To you before your passion 
they sang their hymns of praise; 
to you, now high exalted, 
our melody we raise. 
As you received their praises, 
accept the prayers we bring, 
for you delight in goodness, 
O good and gracious King! 


Previous poems in this series:

R. S. Thomas, “The Kingdom” [Poetry for Ordinary Time]

I’ve enjoyed posting poetry series themed around the Christian year in the past couple of years (see “Poetry for Lent” and “Poetry for Easter“). I will continue that with a series called “Poetry for Ordinary Time.” Ordinary time includes two sections of the church year between Christmastide and Lent and Easter and Advent. The word “ordinary” here derives from the word ordinal by which the weeks are counted. Still, ordinary time does serve an opportunity to embrace the ordinary spaces and places of our lives, and the themes of the poems will express this.

Here is R. S. Thomas” poem “The Kingdom” from Selected PoemsThomas was an Anglican priest and a leading Anglo-Welsh poet of the 20th century.


It’s a long way off but inside it
There are quite different things going on:
Festivals at which the poor man
Is king and the consumptive is
Healed; mirrors in which the blind look
At themselves and love looks at them
Back; and industry is for mending
The bent bones and the minds fractured 
By life. It’s a long way off, but to get 
There takes no time and admission
Is free, if you will purge yourself
Of desire, and present yourself with
Your need only and the simple offering
Of your faith, green as a leaf.


Previous poems in this series:

Scott Cairns, “Idiot Psalms” [Poetry for Ordinary Time]

I’ve enjoyed posting poetry series themed around the Christian year in the past couple of years (see “Poetry for Lent” and “Poetry for Easter“). I will continue that with a series called “Poetry for Ordinary Time.” Ordinary time includes two sections of the church year between Christmastide and Lent and Easter and Advent. The word “ordinary” here derives from the word ordinal by which the weeks are counted. Still, ordinary time does serve an opportunity to embrace the ordinary spaces and places of our lives, and the themes of the poems will express this.

Here is Scott Cairns’ poem “Idiot Psalms.” Scott Cairns is a contemporary American poet with nine poetry collections, who also is a librettist, memoirist, and translator. Cairns is the program director of Seattle Pacific University’s MFA in Creative Writing program.


1   

A psalm of Isaak, accompanied by Jew’s harp.

O God Belovéd if obliquely so, 
                     dimly apprehended in the midst 
                     of this, the fraught obscuring fog   
                     of my insufficiently capacious ken,   
                     Ostensible Lover of our kind—while 
                     apparently aloof—allow 
                     that I might glimpse once more 
                     Your shadow in the land, avail 
                     for me, a second time, the sense 
                     of dire Presence in the pulsing 
                     hollow near the heart.   
Once more, O Lord, from Your enormity incline 
                     your Face to shine upon Your servant, shy 
                     of immolation, if You will. 

                                     2   

A psalm of Isaak, accompanied by baying hounds.

O Shaper of varicolored clay and cellulose, O Keeper 
                     of same, O Subtle Tweaker, Agent 
                     of energies both appalling and unobserved,   
                     do not allow Your servant’s limbs to stiffen 
                     or to ossify unduly, do not compel Your servant   
                     to go brittle, neither cramping at the heart,   
                     nor narrowing his affective sympathies 
                     neither of the flesh nor of the alleged soul. 
Keep me sufficiently limber that I might continue 
                     to enjoy my morning run among the lilies   
                     and the rowdy waterfowl, that I might 
                     delight in this and every evening’s intercourse   
                     with the woman you have set beside me. 
Make me to awaken daily with a willingness 
                     to roll out readily, accompanied 
                     by grateful smirk, a giddy joy,   
                     the idiot’s undying expectation,   
                     despite the evidence. 

                                     3 

A psalm of Isaak, whispered mid the Philistines, beneath the breath.

Master both invisible and notoriously   
                     slow to act, should You incline to fix   
                     Your generous attentions for the moment 
                     to the narrow scene of this our appointed 
                     tedium, should You—once our kindly 
                     secretary has duly noted which of us 
                     is feigning presence, and which excused, which unexcused, 
                     You may be entertained to hear how much we find to say 
                     about so little. Among these other mediocrities, 
                     Your mediocre servant gets a glimpse of how 
                     his slow and meager worship might appear 
                     from where You endlessly attend our dreariness. 
Holy One, forgive, forgo and, if You will, fend off   
                     from this my heart the sense that I am drowning here   
                     amid the motions, the discussions, the several 
                     questions endlessly recast, our paper ballots. 

                                     4   

Isaak’s penitential psalm, unaccompanied.

Again, and yes again, O Ceaseless Tolerator 
                     of our bleaking recurrences, O Forever Forgoing   
                     Foregone (sans conclusion), O Inexhaustible, 
                     I find my face against the floor, and yet again 
                     my plea escapes from unclean lips, and from a heart 
                     caked in and constricted by its own soiled residue. 
You are forever, and forever blessed, and I aspire 
                     one day to slip my knot and change things up, 
                     to manage at least one late season sinlessly, 
                     to bow before you yet one time without chagrin.


Previous poems in this series:

Malcolm Guite, “A Sonnet for All Saints Day” [Poetry for Ordinary Time]

I’ve enjoyed posting poetry series themed around the Christian year in the past couple of years (see “Poetry for Lent” and “Poetry for Easter“). I will continue that with a series called “Poetry for Ordinary Time.” Ordinary time includes two sections of the church year between Christmastide and Lent and Easter and Advent. The word “ordinary” here derives from the word ordinal by which the weeks are counted. Still, ordinary time does serve an opportunity to embrace the ordinary spaces and places of our lives, and the themes of the poems will express this.

Here is Malcolm Guite’s poem “A Sonnet for All Saints Day.” This sonnet is taken from Guite’s book Sounding the Seasons: Seventy Sonnets for the Christian Year. Malcolm Guite is an Anglican priest, poet, and songwriter, who is a Life Fellow and former chaplain of Girton College, Cambridge.


Though Satan breaks our dark glass into shards
Each shard still shines with Christ’s reflected light,
It glances from the eyes, kindles the words
Of all his unknown saints. The dark is bright
With quiet lives and steady lights undimmed,
The witness of the ones we shunned and shamed.
Plain in our sight and far beyond our seeing
He weaves them with us in the web of being
They stand beside us even as we grieve,
The lone and left behind whom no one claimed,
Unnumbered multitudes, he lifts above
The shadow of the gibbet and the grave,
To triumph where all saints are known and named;
The gathered glories of His wounded love.


Previous poems in this series:

Luci Shaw, “Arrangement in space and time” [Poetry for Ordinary Time]

I’ve enjoyed posting poetry series themed around the Christian year in the past couple of years (see “Poetry for Lent” and “Poetry for Easter“). I will continue that with a series called “Poetry for Ordinary Time.” Ordinary time includes two sections of the church year between Christmastide and Lent and Easter and Advent. The word “ordinary” here derives from the word ordinal by which the weeks are counted. Still, ordinary time does serve an opportunity to embrace the ordinary spaces and places of our lives, and the themes of the poems will express this.

Here is Luci Shaw’s poem “Arrangement in space and time” from Polishing the Petoskey Stone: New and Selected Poems.  Luci Shaw has served as a writer in residence at Regent College (Vancouver, BC) since 1998 and is the author of eleven volumes of poetry.


Spring-cleaning should have
rid me of them. Summer should have
gathered a fresh bunch.
But this armful of autumn
is almost as antique as the pot
that first received it—the mouth
open like an O, like the rough
circle a woman makes with her elbows
to accept a bouquet.

Brittle, the milkweed stalks break
clean as bones and show the same
straw color. Freed from time, no
seasons pump their juices,
extend their shoots an inch an hour
after rain, swell the silver
strands in their pale purses.
Like dust, timelessness gathers
on the pods and the thin, split
blades. Having lost growth,
they have achieved a kind of
immortality, there where they fill
the winter window,
spilling their tarnished silver
and some old gold.


Previous poems in this series: